How to profit from the dollar-standard in the arts

Heaps and heaps and heaps of paper, and sitting atop one heap for the longest time, Hilton Kramer's The Revenge of the Philistines, subtitled: Art and Culture 1972-1984.
    On the pretext of attacking and subduing the heap, I grab it and toss it onto my "immediate" heap of supposedly high-priority stuff. Neither as decisive or shrewd a move as I'm trying to make it...